Thursday, January 10, 2008

Catwoman


Patience Phillips (Halle Berry) is a shy, timid woman working for a cosmetics company. One morning, she sees a cat outside her window. Thinking it is stuck, she climbs out onto a ledge and nearly falls off. A detective named Tom Lone, spots her and thinks she is attempting suicide, and rescues her from falling. He didn't see the cat that Patience said she was rescuing until it was walking around her apartment. After believing her story the two gradually form a relationship.

While delivering a new design to her boss, Patience overhears a plot to sell defective beauty products that initially make human skin look younger and prettier; if the product is not used over a long period of time, however, the skin begins to decay. Unfortunately she is spotted at the scene and attempts to flee into a set of water conduits. The pipes are flooded by her pursuers, and she is flushed into the open water and drowns.

After being murdered, she is brought back to life by the cat she saw earlier, because the cat was moved by the fact that she risked her own life for it. When she wakes up, she is transformed into Catwoman, a warrior with the force of a cat, who prowls the night in search of justice. Her behavior becomes cat-like, and she gains heightened reflexes, senses, and physical power.

Determined to discover why she was murdered (having forgotten the events that occurred the night before), Patience re-learns about the beauty product and when she goes to the factory where the product is made, she finds a scientist who protested against the product's release murdered. Before she can investigate further, however, the night guard spots her and sounds the alarm. Patience quickly flees the factory. She then informs her boss's wife, Laurel Hedare, about the plan and asks her to keep an eye out for anything unusual.

Catwoman then heads to the opera house where her boss, George, is attending a play with another woman. She confronts him about the product, but he doesn't know about its toxic after-effects. The police arrive and chase Catwoman, who is able to escape by cutting off the power.

Patience and Lone then go out on a date at a sushi restaurant, where they talk about Catwoman. When they leave, they go to Patience's home and make love. Lone then leaves later, after he finds one of Catwoman's claw nails.

Later, Laurel contacts Catwoman, and tricks her into entering a room with Patience's brutally murdered boss lying on the floor. Laurel then calls the police after tossing a gun into Catwoman's hand. As she flees the house, Catwoman realizes that Laurel was the one who insisted on the product's release and murdered the scientist who tried to stop it.

Catwoman's lip prints on Lone's cheek matched up with those of Patience from a glass cup, and she was taken into custody by Lone. That night she was able to escape from her jail cell by squeezing through the bars like a cat.

Meanwhile, Lone goes to Laurel, while she holds a press conference for the beauty product and a tribute to George. They go to her office and talk, and during their conversation, Laurel lets slip that she was the murderer of the scientist and her husband. But, before Lone can arrest her, she pulls a gun and shoots him in the arm. Catwoman then arrives, and rescues Lone just as Laurel is about to finish him off. After taking out her henchmen, Catwoman confronts Laurel, and they fight, though Laurel's face is now like "living marble" from using the product for so long. During the fight, Catwoman slashes her face and causes it to rip. As Catwoman finishes scratching her face, Laurel accidentally falls off the broken glass window she tried to push Catwoman out of. Catwoman attempts to save her as she's hanging on, but Laurel accidentally slips and falls to her death. Detective Lone comes and saw what happened. He then reassures Patience that she will not be found guilty for the murders.

At the end of the movie Patience sends an art piece of hers and a thank you note to the woman who owns the cat that revived her. This woman also helped her remember her death and told Patience the powers her cat gave to her and her new freedom. Patience also sends a letter to Detective Lone, saying good bye and thank you and walks off into the night, happy with her new powers and independence.

Aquaman

Golden Age

Aquaman's first origin story was presented in flashback from his debut, narrated by the character himself:

The story must start with my father, a famous undersea explorer — if I spoke his name, you would recognize it. My mother died when I was a baby, and he turned to his work of solving the ocean's secrets. His greatest discovery was an ancient city, in the depths where no other diver had ever penetrated. My father believed it was the lost kingdom of Atlantis. He made himself a water-tight home in one of the palaces and lived there, studying the records and devices of the race's marvelous wisdom. From the books and records, he learned ways of teaching me to live under the ocean, drawing oxygen from the water and using all the power of the sea to make me wonderfully strong and swift. By training and a hundred scientific secrets, I became what you see — a human being who lives and thrives under the water.
The Golden Age Aquaman communicating with sea life by an ancient Atlantean temple he uses as his lair. Art by Louis Cazeneuve.
The Golden Age Aquaman communicating with sea life by an ancient Atlantean temple he uses as his lair. Art by Louis Cazeneuve.

In his early Golden Age appearances, Aquaman had the ability to breathe underwater and superhuman strength enabling him to swim at high speeds. He was also shown to have the ability to communicate with sea-life and have them do his bidding. Initially, he was depicted as speaking to sea creatures "in their own language," and only when they were close enough to hear him rather than being telepathic in nature. While he was often described as the "sovereign of the sea," with the waters of the entire globe his "domain," and almost every sea creature his "loyal subject," the title was never an official one. Aquaman's adventures took place all across the world, and the only base he appeared to have was "an ancient temple of lost Atlantis, kept underwater," in which he kept a solitary throne[1]

During his wartime adventures, most of Aquaman's foes were Nazi U-boat commanders and various Axis villains. The rest of his adventures in the 1940s and 1950s had him dealing with various sea-based criminals, including modern-day pirates such as his longtime archenemy Black Jack, as well as various threats to aquatic life, shipping lanes, and sailors.

Silver Age

Starting in 1959, Aquaman's backstory and character were revised, with various new supporting characters added and several adjustments made to the character's origins, powers, and persona.

Aquaman, Mera, and Aqualad, as depicted by Nick Cardy in Aquaman #18 (Dec. 1964)
Aquaman, Mera, and Aqualad, as depicted by Nick Cardy in Aquaman #18 (Dec. 1964)

In Adventure Comics #260 (May 1959) and subsequent Silver Age comics, it was revealed that Aquaman was Arthur Curry, the son of Tom Curry, a lighthouse keeper, and Atlanna, a water-breathing outcast from the lost, underwater city of Atlantis. Due to his heritage, Aquaman discovered as a youth that he possessed various superhuman abilities, including the powers of surviving underwater, communication with sea life, and tremendous swimming prowess. Eventually, Arthur decided to use his talents to become the defender of the Earth's oceans, first starting a career as "Aquaboy" and meeting Superboy (Earth's only other superpowered hero at the time) on one occasion (Superboy #171, Jan 1971). When Arthur grew up, he called himself "Aquaman."

It was later revealed (in Aquaman #29) that after Atlanna's death, Tom Curry met and married an ordinary human woman and had a son named Orm Curry, Aquaman's half-brother. Orm grew up as a troubled youth in the shadow of his brother, who constantly bailed him out of trouble with the law. He grew to hate Aquaman not only for the powers that he could never possess but also because he knew that their father would always favor Aquaman. Orm disappeared after becoming an amnesiac and would resurface years later as Aquaman's arch-nemesis, Ocean Master.

By the late 1950s, Aquaman's ability to talk with fish had been expanded to full-fledged telepathic communication with sea creatures even from great distances, but in Adventure Comics #256 (Jan 1959) he was also retroactively given a specific weakness akin to Superman's vulnerability to Kryptonite or Green Lantern's vulnerability to the color yellow: Aquaman had to come into contact with water at least once per hour, or he would die (prior to this story Aquaman could exist both in and out of water indefinitely). This problem was later explained as a characteristic of all Atlanteans .

Allies and foes

Aquaman was included in the Justice League of America comic book series, appearing with the team in their very first adventure in The Brave and the Bold #28 (Feb-Mar 1960). He was a founding member of the team, as shown in a flashback in Justice League of America #9 (Feb 1962). Aquaman took part in most of the 1960s adventures of the superhero team.

With Adventure Comics #269 (Feb 1960), Aquaman's familiar cast of allies and enemies began to grow with the addition of Aqualad, an outcast, orphaned youth from a colony of Atlantis whom Aquaman takes in and begins to mentor. Adventure Comics #264 (Sep 1959) introduced the submerged fictional city of New Venice, which was later revealed to be based in Florida and which also became Aquaman's base of operations for a time in the early 1980s, beginning with World's Finest Comics #263 (Jun-Jul 1980).

Aquaman continued to appear in Adventure Comics until issue #284 (May 1961), when the feature moved to Detective Comics from issues #293-300 (Jul 1961-Feb 1962), then to World's Finest Comics from issues #125-139 (May 1962-Feb 1964). After four tryout issues in bi-monthly Showcase (#30-33, Feb-Aug 1961), Aquaman gained his own series for the first time with the publication of Aquaman #1 (Jan-Feb 1962).

Aquaman eventually met the Atlanteans and became their ally. He was recognized as the son of Atlanna and later voted to be the King after the death of the former regent, who had no heirs. By this time Aquaman had met Mera, a queen from a water-based dimension, and he married her at the same time he was crowned king of Atlantis, Aquaman #18 (Nov-Dec 1964). They soon had a son, Arthur, Jr. (nicknamed "Aquababy") in issue #23 (Sep-Oct 1965).

The 1960s series introduced other such arch-enemies as the Ocean Master (Aquaman's amnesiac half-brother Orm), Black Manta, the Fisherman, the Scavenger, and the terrorist organization known as O.G.R.E. Other recurring members of the Aquaman cast introduced in this series include the well-meaning but annoying Quisp (a water sprite); Dr. Vulko, a trustworthy Atlantean scientist who becomes Aquaman's royal advisor and whom Aquaman eventually appoints to be king after leaving the throne himself; and Tula (known as "Aquagirl"), an Atlantean princess who was Aqualad's primary love interest.

Aquaman in Adventure Comics. Art by Jim Aparo.
Aquaman in Adventure Comics. Art by Jim Aparo.

Most of Aquaman's early Silver Age adventures were written by George Kashdan[2] and Bob Haney, while Nick Cardy took Ramona Fradon's place as the primary Aquaman artist. With Aquaman #40, the writer-artist team of Steve Skeates and Jim Aparo brought new levels of sophistication to the characters and stories.

The original Aquaman series ended with issue #56 (Mar-Apr 1971). Aquaman was given his own feature again in Adventure Comics #435-437, and #441-452, this time as the main feature in most of these issues. The Aquaman series was restarted with issue #57 (Aug-Sep 1977) and ran until issue #63 (Aug-Sep 1978), when it was finally canceled. Aquaman continued to appear in Adventure Comics #460-466, when his feature moved to World's Finest Comics from issues #262-264, and back to Adventure Comics (for the final time) from issues #475-478. Aquaman appeared in a backup feature in Action Comics which he shared with the Atom and Air Wave in various issues. Throughout this time Aquaman also appeared in various series (such as Justice League of America, The Brave and the Bold, World's Finest Comics, and DC Comics Presents) in partnership with other superheroes.

After becoming king of Atlantis, Aquaman began a policy of slowly reintroducing the once-secretive Atlantis to the surface world. After he was briefly ousted from the throne by the Shark (whom he defeated), he made the decision to leave the throne to become a more traditional superhero, and Dr. Vulko was elected as the new king.

End of an era

Eventually, as part of a trap, Aquaman's foe Black Manta kidnapped and ultimately murdered Arthur, Jr. (Adventure Comics #452, Jul-Aug 1977), causing a rift between Aquaman and Mera. They remained married for a few more years and for a while operated out of the submerged city of New Venice, Florida.

In the mid-1980s, after his own feature's demise, Aquaman was briefly made the leader of the Justice League of America. In a storyline told in Justice League of America #228-230, an invasion of Earth by a race of Martians occurred at a time when the core members were missing. Aquaman was thus forced to defend Earth with a League much-depleted in power and capability, and he took it upon himself to disband the JLA altogether in Justice League of America Annual #2 (1984), thereafter reforming it with new bylaws requiring members to give full participation to the League's cases. With the help of a small number of veteran JLA members willing to fully commit to the team, Aquaman recruited and trained four new and untried members, also relocating the team's headquarters to a reinforced bunker in Detroit, Michigan after the destruction of the JLA's satellite headquarters during the invasion. Aquaman's participation in this new version of the Justice League ended in #243 (Oct 1985), when he resigned to work on his marriage with Mera.

Modern Age

The deep-blue camouflage costume. Art by Craig Hamilton.
The deep-blue camouflage costume. Art by Craig Hamilton.

After the 1985 Crisis on Infinite Earths limited series, several short limited series were produced in the late 1980s and early 1990s -- beginning with 1986's, four-issue Aquaman (Feb 1986-May 1986), featuring Aquaman in a new, largely deep-sea blue, costume. The series was well received and a follow up mini series was in the works, though it was eventually canceled due to creative problems. This series also shed some light on the Silver Age version of Aquaman's origin as well as Aquaman's relationship with his half-brother, Ocean Master, whose origin is retold in more complete detail. The series also added new mystical elements to the Aquaman mythos and reinvented Ocean Master as a sorcerer. Aquaman reappeared in his blue costume in the Aquaman Special #1 (1988).

Retelling origins

In 1989, Legend of Aquaman Special (officially titled as Aquaman Special #1 in the comic's legal indicia, the second Special in back-to-back years) rewrote the Sea King's mythos and origin, though keeping most of his Silver Age history intact.

The Modern Age Aquaman is born as Orin to Queen Atlanna and the mysterious wizard Atlan in the Atlantean city of Poseidonis, was abandoned on Mercy Reef as a baby because of his blond hair, which was seen by the superstitious Atlanteans as a sign of a curse they called "the Mark of Kordax." The only individual who spoke up on Orin's behalf was Vulko, a scientist who had no patience for myth or superstition. While his pleas were to no avail, Vulko would later become a close friend and advisor to the young Orin.

As a feral child who raised himself in the wilds of the ocean with only sea creatures to keep him company, Orin was found and taken in by a lighthouse keeper named Arthur Curry who named Orin "Arthur Curry" after himself. One day Orin returned home and found that his adoptive father had disappeared, so he set off on his own. In his early teens, Orin ventured to the far north, where he met and fell in love with an Inupiat girl named Kako. He also first earned the hatred of Orm, the future Ocean Master who was later revealed to be Arthur's half-brother by Atlan and an Inupiat woman. Orin was driven away before he could learn that Kako had become pregnant with his son, Koryak.

Orin then returned to the seas mostly staying out of humanity's sight, until he discovered Poseidonis. He was captured by the city's then-dictatorial government and placed in a prison camp, where he met Vulko, also a prisoner of the state, who taught Orin the language and ways of the Atlanteans. While Orin was there he realized that his mother was also being held captive, but after her death he broke out and fled. Eventually, he made his way to the surface world, where under the name of "Aquaman" he became one of several superheroes emerging into the public view at the time. Upon his return to Poseidonis he was made the king, and sometime later he met and married Mera. The Modern Age Aquaman's history is nearly identical to that of the Silver Age Aquaman from this point on.

As detailed in the five-issue Aquaman limited series (Jun-Oct 1989), which continued a few of the themes from the Special, Mera was eventually driven insane by grief over the death of Arthur, Jr., and was committed to an asylum in Poseidonis. Shortly afterwards, an alien force conquered Atlantis. Arthur was forced to save the city but was hampered by an escaped Mera who personally blamed Arthur for the death of their son. In a fit of rage, Mera left Aquaman's dimension.

The publication of writer Peter David's The Atlantis Chronicles #1-7 (Mar-Sep 1990), which told the story of Atlantis from antediluvian times to Aquaman's birth, successfully revived interest in the character. Significantly, it was in this limited series that the ancient Atlantean characters Orin (whose name was given as Aquaman's Atlantean name) and Atlan (who was revealed to be Aquaman's father) were introduced.

A new Aquaman ongoing series (#1-13) thereafter ran from December 1991 to December 1992, which portrayed Aquaman reluctantly deciding to remain in Poseidonis as its protector once again. For a time, he served as Atlantis' representative to the United Nations but always found himself thrust back into the superhero role. Becoming more and more of a workaholic and solitary figure, Aquaman eventually returned to the oceans. He soon became tangled up in another attempt by Black Manta to destroy Atlantis by dragging it into a war with a surface nation.

Peter David returned to the character in another limited series, Aquaman: Time and Tide, a 1993/1994 four-issue series which further explained Aquaman's origins as he finally learned all about the history of his people through the Atlantis Chronicles (presented as historical texts passed down and updated through the centuries). Aquaman learned that his birth name was Orin and that he and his enemy Ocean Master shared the same father, "an ancient Atlantean wizard" called Atlan. This revelation sent Orin into a bout of rage and depression, setting the stage for later confrontations between the two, as it was said that "two brothers will also battle for control of Atlantis". (The Silver Age Aquaman had always known that the Ocean Master was his half-brother Orm, although Orm's amnesia prevented him from remembering that fact for some time.)

[edit] New direction

The 1990s version of Aquaman. Art by Jim Calafiore.
The 1990s version of Aquaman. Art by Jim Calafiore.

Aquaman received his own series again with the publication of the fifth Aquaman #1 (Aug 1994), initially scripted by Peter David, following up on his Aquaman: Time and Tide limited series. This new Aquaman series was the longest-running for the character, lasting until its 75th issue. David left the landmark series after issue #46 (Jul 1998) after working on it for nearly four years.

Soon in Aquaman #2 (Sep 1994), Aquaman lost his left hand when the madman Charybdis stole his ability to communicate with sea life and stuck Arthur's hand into a piranha-infested pool. This caused Aquaman to become somewhat unhinged, and he soon began having prophetic dreams. Soon after, he attached a harpoon spearhead to his left arm in place of his missing hand. This was the start of an entirely new look: the classic orange shirt was discarded for a gladiatorial manica. Forsaking his former clean-cut appearance, Aquaman grew long hair and a longish beard. After the destruction of the harpoon, Aquaman had it replaced with a cybernetic prosthetic from S.T.A.R. Labs. This new harpoon had a retractable reel that he could fully control.

The major storyline, culminating in #25, concerned the Five Lost Cities of Atlantis. Facing an unearthly invading species linked to the origin of the Atlanteans, Aquaman had to search out and unite the lost cities. This storyline established him as a true Warrior King, and he became a major political power. The remainder of the Peter David run was about Orin coming to terms with his genetic heritage and his role as a king.

After a brief stint by Dan Abnett and Andy Lanning, David was replaced as writer by Erik Larsen with issue #50 (Dec 1998). Larsen's work proved unpopular with readers, however, and with issue #63 (Jan 2000) he was replaced by Dan Jurgens, who saw the series through to its cancellation with issue #75 (Jan 2001).

Aquaman had rejoined the JLA when it reformed and remained an active member of that team until the Our Worlds at War event, during which Aquaman and the city of Poseidonis disappeared and were presumed to be destroyed. The JLA later discovered that Poseidonis and its inhabitants were taken into the ancient past by a powerful Atlantean sorceress named Gamemnae. The people of Poseidonis were made slaves by their Atlantean ancestors, and Aquaman himself was transformed into living water and imprisoned in an ornamental pool.

After a few months of their time — but fully fifteen years for the Atlanteans — the JLA freed Aquaman in "The Obsidian Age" storyline in JLA #66-75 (Jul 2002-Jan 2003), and Poseidonis and its people were returned to the present by the JLA, though not before Aquaman was forced to sink ancient Atlantis.

[edit] Back to basics

2003 series' initial look by Yvel Guichet.
2003 series' initial look by Yvel Guichet.

A sixth Aquaman series began shortly afterwards, initially written by Rick Veitch who sought to take Aquaman in a more mystical direction. Subsequent writers who contributed to the series include John Ostrander, Will Pfeifer, and John Arcudi. This series ran from issue #1 (Feb 2003) to #39 (Apr 2006) when it was renamed Aquaman: Sword of Atlantis (see below).

As shown in this series, Aquaman's decision to sink ancient Atlantis caused displeasure among some of the city's citizens, and Arthur was once again driven out of Poseidonis. He spent some time in Ireland, where he met the Lady of the Lake, who gave him a new prosthetic hand composed of mystical water with unusual properties. From there he returned to his more traditional look: orange shirt, short hair, and beardless.

Back to traditional look. Art by Alan Davis.
Back to traditional look. Art by Alan Davis.

Later, Aquaman went to San Diego after a massive earthquake plunged half the city into the Pacific Ocean. He soon discovered that the survivors of the catastrophe were able to breathe underwater and began helping them to rebuild the submerged portion of the city they now called "Sub Diego".

During this time, Aquaman picked up a new sidekick named Lorena, who eventually became the new Aquagirl. For a time, it appeared that Aquaman might reconcile with Mera, as he attempted to take her to the surface in order to save her from the Atlantean mages who had transformed her into an air-breather.

Shortly thereafter, during the Infinite Crisis event, Atlantis was destroyed by the Spectre, and many of its citizens were killed, including Aquaman's son Koryak and his oldest friend (and father figure), Vulko. Aquaman led the survivors to Sub Diego in the hope that the two displaced peoples could help each other. When Black Manta attacked the sunken city, Aquaman defeated him and left him for dead, surrounded by carnivorous fish (it was later revealed that Manta survived, although it remains unclear whether Aquaman intended his death).

Aquaman made a brief appearance at the memorial for Superboy in 52. With Aquaman #40 (May 2006), the series was renamed Aquaman: Sword of Atlantis and taken in an entirely different direction by writer Kurt Busiek.

Underdog


A bomb-sniffing beagle is fired from the mayor's office for a faux pas. That night a mad scientist dognaps him and injects him with an elixir. The dog escapes, but now has superpowers. He's adopted by a security guard - an ex-cop, who's a widower with a moody teen son, Jack. The boy discovers that the dog, named Shoeshine by dad, has super powers, but it's their little secret. While Underdog saves people in distress, the mad scientist and his underling continue their plot to catch him and take over the city. There's also a girl Jack likes with a dog Shoeshine takes a shine to. Will every dog has his day?

Batman

Years later, Stick would send her to aid the X-Man Wolverine, at a time when he had been physically and mentally regressed to a bestial form. She helped retrain him to the point where he could think and vocalize as a human once more, and spent time with him thereafter as he returned to his normal form, including taking him with her on a return to her ancestral home.

Early years

Batman debuted in Detective Comics #27 (May 1939). Cover art by Bob Kane.
Batman debuted in Detective Comics #27 (May 1939). Cover art by Bob Kane.

The first Batman story, "The Case of the Chemical Syndicate," was published in Detective Comics #27 (May 1939). Finger said, "Batman was originally written in the style of the pulps"[14] and this influence was evident with Batman showing little remorse over killing or maiming criminals and was not above using firearms. Batman proved a hit character, and he received his own solo title in 1940, while continuing to star in Detective Comics. By that time, National was the top-selling and most influential publisher in the industry; Batman and the company's other major hero, Superman, were the cornerstones of the company's success.[15] The two characters were featured side-by-side as the stars of World's Finest Comics, which was originally titled World's Best Comics when it debuted in fall 1940. Creators including Jerry Robinson and Dick Sprang also worked on the strips during this period.

Over the course of the first few Batman strips elements were added to the character and Kane's artistic depiction of Batman evolved. Kane noted within six issues he drew the character's jaw more pronounced and lengthened the ears on the costume; "About a year later he was almost the full figure, my mature Batman," Kane said.[16] Batman's characteristic utility belt was introduced in Detective Comics #29 (July 1939), followed by the batarang and the first bat-themed vehicle in #31 (September 1939), and the character's origin was revealed in #33 (November 1939). The early pulp-influenced portrayal of Batman started to soften in Detective Comics #38 in 1940 with the introduction of Robin, Batman's kid sidekick.[17] Robin was introduced based on Finger's suggestion Batman needed a "Watson" with whom Batman could talk.[18] Sales nearly doubled, despite Kane's preference for a solo Batman, and it sparked a proliferation of "kid sidekicks."[19] The first issue of Batman was notable not only for introducing two of his most persistent antagonists, the Joker and Catwoman, but for one of the stories in the issue where Batman shoots some monstrous giants to death. That story prompted editor Whitney Ellsworth to issue a decree that the character could no longer kill or use a gun.[20] By 1942 the writers and artists behind the Batman comics had established most of the basic elements of the Batman mythos.[21] In the years following World War II, DC Comics "adopted a postwar editorial direction that increasingly de-emphasized social commentary in favor of lighthearted juvenile fantasy." The impact of this editorial approach was evident in Batman comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early 1940s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.[22]

1950-1963

Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team In the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discovers each other's secret identity.[23] Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before.[24] The team-up of the characters was "a financial success in an era when those were few and far between;"[25] this series of stories ran until the book's cancellation in 1986.

Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist Fredric Wertham's book Seduction of the Innocent in 1954. Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupt the morals of the youth. Wertham criticized Batman comics for their supposed homosexual overtones and argued that Batman and Robin were portrayed as lovers.[26] Wertham's criticisms raised a public outcry during the 1950s, eventually leading to the establishment of the Comics Code Authority. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code.[27] It has also been suggested by scholars that the characters of Batwoman (in 1956) and Bat-Girl (in 1961) were introduced in part to refute the allegation that Batman and Robin were gay, and the stories took on a campier, lighter feel.[28]

In the late 1950 Batman stories gradually become more science fiction-oriented, an attempt at mimicking the success of other DC characters that had dabbled in the genre.[29] New characters such as Batwoman, Ace the Bat-Hound, and Bat-Mite were introduced. Batman has adventures involving either odd transformations or dealing with bizarre space aliens. In 1960, Batman debuted as a member of the Justice League of America in The Brave and the Bold #28 (February 1960) and went on to appear in several Justice League comic series starting later that same year.

"New Look" Batman and camp

By 1964, sales on Batman titles had fallen drastically; Bob Kane noted that as a result "[DC was] planning to kill Batman off altogether."[30] Editor Julius Schwartz was soon assigned to the Batman titles and presided over drastic changes. Beginning with 1964's Detective Comics #327 (May 1964) — cover-billed as the "New Look" — Schwartz introduced changes designed to make Batman more contemporary and return him to more detective-oriented stories, including a redesign of Batman's equipment, the Batmobile, and his costume (introducing the yellow ellipse behind the costume's bat-insignia), and brought in artist Carmine Infantino to help in this makeover. The space aliens and characters of the 1950s such as Batwoman, Ace, and Bat-Mite were retired. Batman's erstwhile butler Alfred was killed and replaced with Aunt Harriet, who came to live with Bruce Wayne and Dick Grayson.[31]

Batman #227 (Dec. 1970). An example of Batman's return to a Gothic atmosphere, in an homage to the cover of 1939's Detective Comics #31. Art by Neal Adams.
Batman #227 (Dec. 1970). An example of Batman's return to a Gothic atmosphere, in an homage to the cover of 1939's Detective Comics #31.[32] Art by Neal Adams.

The debut of the Batman television series in 1966 had a profound influence on the character. The success of the series increased sales throughout the comic book industry, and Batman reached a circulation of close to 900,000 copies.[33] Elements such as the character of Batgirl and the show's campy nature were introduced into the comics; the series also initiated the return of Alfred. Although both the comics and TV show were successful for a time, the camp approach eventually wore thin and the show was canceled in 1968. In the aftermath the Batman comics themselves lost popularity once again. As Julius Schwartz noted, "When the television show was a success, I was asked to be campy, and of course when the show faded, so did the comic books."[34]

Starting in 1969, writer Dennis O'Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a "grim avenger of the night."[35] O'Neil said his idea was "simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after."[36] O'Neil and Adams first collaborated on the story "The Secret of the Waiting Graves" (Detective Comics #395, Jan. 1970). Few stories were true collaborations between O'Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was "tremendous."[37] Giordano said, "We went back to a grimmer, darker Batman, and I think that's why these stories did so well . . . Even today we're still using Neal's Batman with the long flowing cape and the pointy ears."[38] While the work of O'Neil and Adams was popular with fans, the acclaim did little to help declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471-476 (Aug. 1977 - April 1978), which went on to influence the 1989 movie Batman and be adapted for the 1990s animated series.[39] Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.[40]

The Dark Knight Returns and modern Batman (1986-present)

The first issue of Batman: The Dark Knight Returns, which redefined Batman in the 1980s. Pencils by Frank Miller.
The first issue of Batman: The Dark Knight Returns, which redefined Batman in the 1980s. Pencils by Frank Miller.

Frank Miller's 1986 limited series Batman: The Dark Knight Returns, which tells the story of a 50-year-old Batman coming out of retirement in a possible future, reinvigorated the character. The Dark Knight Returns was a financial success and has since become one of the medium's most noted touchstones.[41] The series also sparked a major resurgence in the character's popularity.[42] That year Dennis O'Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC's status quo-altering miniseries Crisis on Infinite Earths. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before.[43] One outcome of this new approach was the "Year One" storyline in Batman #404-407 (Feb.-May 1987), where Frank Miller and artist David Mazzucchelli redefined the character's origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988's 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.

The Batman comics garnered major attention in 1988 when DC Comics created a 900 number for readers to call to vote on whether Jason Todd, the second Robin, lived or died. Voters decided in favor of Jason's death by a narrow margin of 28 votes (see Batman: A Death in the Family).[44] The following year drew more attention to the character, due to the release of the feature 1989 film Batman. In addition to the film's multimillion dollar gross and millions more generated in merchandising, the first issue of Legends of the Dark Knight, the first new solo Batman title in nearly fifty years, sold close to a million copies.[45] 1993's "Knightfall" arc introduces a new villain, Bane, who critically injures Batman. Jean-Paul Valley, known as Azrael, is called upon to wear the Batsuit during Bruce Wayne's convalescence. Writers Doug Moench, Chuck Dixon, and Alan Grant worked on the Batman titles during "Knightfall" and would also contribute to other Batman crossovers throughout the 1990s. 1998's "Cataclysm" storyline served as the precursor to 1999's "No Man's Land", a year-long storyline that ran through all the Batman-related titles dealing with the effects of an earthquake-ravaged Gotham City. At the conclusion of "No Man's Land" O'Neil stepped down as editor and was replaced by Bob Schreck. In 2003, writer Jeph Loeb and artist Jim Lee began a 12-issue run on Batman. Lee's first regular comic book work in nearly a decade, the series became #1 on the Diamond Comic Distributors sales chart for the first time since Batman #500 (Oct. 1993). Lee then teamed with Frank Miller on All-Star Batman and Robin, which debuted with the best-selling issue in 2005,[46] as well as the highest sales in the industry since 2003.[47] Batman was featured in major roles in DC's 2005 company-wide crossover Identity Crisis and 2006's Infinite Crisis. Starting in 2006, the regular writers on Batman and Detective Comics were Grant Morrison and Paul Dini, respectively.

Bruce Wayne

In his secret identity, Batman is Bruce Wayne, a wealthy businessman who lives in Gotham City. Like Superman, the prominent persona of Batman's dual identities varies with time. Modern-age comics have tended to portray "Bruce Wayne" as the facade, with "Batman" as the truer representation of his personality (in counterpoint to the post-Crisis Superman, whose "Clark Kent" persona is the 'real' personality, and "Superman" is the act).

To the world at large, Bruce Wayne is often seen as an irresponsible, superficial playboy who lives off his family's personal fortune (amassed when Bruce's family invested in Gotham real estate before the city was a bustling metropolis) and the profits of Wayne Enterprises, a major private technology firm that he inherits. However, Wayne is also known for his contributions to charity, notably through his Wayne Foundation charity.[72] Bruce creates the playboy public persona to aid in throwing off suspicion of his secret identity, often acting dim-witted and self-absorbed to further the act.

Skills, abilities, and resources

Unlike many superheroes, Batman has no superpowers and instead relies on "his own scientific knowledge, detective skills, and athletic prowess."[73] Batman is physically at the peak of human ability in dozens of areas, notably martial arts, acrobatics, strength, and escape artistry. Intellectually, he is just as peerless; Batman is one of the world's greatest scientists, engineers, criminologists, and tacticians, as well as a master of disguise, often gathering information under the identity of Matches Malone. He is regarded as one of the DC Universe's greatest detectives. Rather than simply outfighting his opponents, Batman often uses cunning and planning to outwit them. In Grant Morrison's first storyline in JLA, Superman describes Batman as "the most dangerous man on Earth," able to defeat a team of superpowered aliens all by himself in order to rescue his imprisoned teammates.[74]

Elektra

Introduction

According to Marvel Comics, Elektra is the world's most lethal woman and one of Marvel's most cold-blooded characters. She has killed more men than just about any other Marvel character, apart from the Punisher, while remaining one of the most popular heroines in the Marvel Universe.

Family and early life

Elektra was born on the Greek island of Crete in the Aegean Sea to Hugo Kostas Natchios and his wife Christina Natchios. She had an older brother named Orestez Natchios. (In Greek language the name should be Oρέστης - i.e. Orestes with Latin alphabet).

Two contradictory accounts of her family history have been given in various issues. In Elektra: Root of Evil #1-4 (March - June, 1995), it is stated that her father was an aspiring diplomat who eventually managed to gain his first assignment as an ambassador to an unspecified country. However, Hugo and his wife had grown apart. Christina had begun a series of extramarital affairs with no apparent interest in keeping them secret, resulting in personal humiliation for her husband. Popular opinion in diplomatic circles stated that a man unable to control his wife had no business deciding on the fate of the world. When Christina became pregnant for a second time, Hugo was certain the child was not his own.

Hugo confided to his adolescent son that his mother was a whore who was shaming their family. Orestez promised his father that Christina would never again shame them. Hugo failed to understand the meaning of these words. On August 13 of that year, the couple was on holiday in the Aegean Sea. They were located by a helicopter which opened fire on them both. The assassins left them for dead. The couple was taken to a nearby hospital. Christina gave premature birth to Elektra and then died. Hugo recovered from his wounds.

Orestez had hired the assassins in order to indirectly commit matricide. He was horrified by the idea of unintentional patricide and ran away from home. Hugo was the only family left to Elektra. At first, Hugo had no intention to raise this "bastard" child. However, a paternity test confirmed the child to be his own. Hugo was not sorry for losing Christina. He was grateful, however, for her giving him a daughter. He arranged for a beautiful headstone to be placed on her grave. Images of the Erinyes on the headstone implied however that Christina was responsible for her own death.

Hugo grew to adore Elektra. He nicknamed her his "Little Amber" and showered her with gifts. Her favorite gift was a pet dog of her own, named Agamemnon, continuing the pattern of Hugo naming members of his family after the Atreidae. The dog was killed when a nine-year-old Elektra was assaulted by kidnappers. The men were all killed by Orestez, who had grown into an accomplished martial artist after leaving home. He did not explain his presence there. He briefly acquainted himself to his little sister and then left again.

But Orestez had a lasting effect in her life. He advised his father that Elektra needed to learn self-defense. Hugo hired a sensei to teach her the martial arts, beginning her acquaintance with fighting. According to the Daredevil film, Elektra's father hired a new sensei every year, to ensure her skills in the martial arts. The issues were scripted by Dan Chichester and drawn by Scott McDaniel.

Activities as an adult

Hugo Natchios is known to have eventually served as a Greek ambassador to the United States. 19-year-old Elektra first attended Columbia University, New York City, New York. There Elektra met Matt Murdock, the man who would become Daredevil, who became her boyfriend.

A year later, 20-year-old Elektra and her father were kidnapped by terrorists. Matt wore a mask for the first time and started a rescue attempt. Elektra used the distraction to strike down some of the terrorists. However, one of the defeated men fell out of a window. The police assumed the terrorists had started throwing their hostages off the window. They opened fire and killed the man closest to the window: Hugo Natchios, right in front of his daughter's eyes.

Elektra lost faith and hope. She quit Columbia and returned to the study of martial arts. Stick, a member of the benevolent organization called the Chaste, recognized the darkness in her soul and attempted to train her himself, but she ultimately sided with the Hand, a sect of mystical ninja, who trained her as an assassin. She later broke away from them and became an independent agent, and in this role she again encountered Matt Murdock, who was now active as Daredevil. She battled Daredevil in order to force him to help her capture the criminal Alarich Wallenquist, and Daredevil saved her from being killed by Eric Slaughter.[2] She soon learned of his double identity, and although the pair worked together to fight the Hand, they also came into conflict frequently.

Elektra later first battled the Hand alongside Daredevil and Gladiator.[3] She then battled Kirigi.[4] She soon became the chief assassin in the employ of New York City's premier crime-lord, the Kingpin.[5] She attempted to kill Daredevil after he tried to stop her from terrorizing Ben Urich.[6] The Kingpin then assigned her to kill Matt Murdock's partner, Franklin "Foggy" Nelson. When Nelson recognized Elektra as Matt's college girlfriend, she was unable to kill him.

Some time after her partnership with Wolverine ended, it was revealed that when Elektra was resurrected by Stone, Elektra's evil aspect had been physically split apart from her in its own body as a consequence of the ritual performed by Daredevil. Her darker half, calling itself Erynys, fought Elektra and was killed by her, thus returning the dark side to Elektra's soul.

Captain America

Early Years and World War II

Steve Rogers was a scrawny fine arts student specializing in industrialization in the 1940's before America entered World War II. He attempted to enlist in the army only to be turned away due to his poor constitution. A U.S. officer offered Rogers an alternative way to serve his country by being a test subject in project, Operation: Rebirth, a top secret defense research project designed to create physically superior soldiers. Rogers accepted and after a rigorous physical and combat training and selection process was selected as the first test subject. He was given injections and oral ingestion of the formula dubbed the "Super Soldier Serum" developed by the scientist Dr. Abraham Erskine. Rogers was then exposed to a controlled burst of "Vita-Rays" that activated and stabilized the chemicals in his system. The process successfully altered his physiology from its frail state to the maximum of human efficiency, including greatly enhanced musculature and reflexes.

After the assassination of Dr. Erskine. Roger was re-imagined as a superhero who served both as a counter-intelligence agent and a propaganda symbol to counter Nazi Germany's head of terrorist operations, the Red Skull. Rogers was given a costume modeled after the American flag, a bulletproof shield, a personal sidearm and the codename Captain America. He was also given a cover identity as a clumsy infantry private at Camp LeHigh in Virginia. Barely out of his teens himself, Rogers made friends with the teenage camp mascot, James Buchanan "Bucky" Barnes. Barnes accidentally learned of Rogers' dual identity and offered to keep the secret if he could become Captain America's sidekick. Rogers agreed, and trained Barnes. Roger met President Franklin D. Roosevelt, who presented him with a new shield made from a chance mixture of iron, Vibranium and an unknown catalyst. Throughout World War II, Captain America and Bucky fought the Nazi menace both on their own and as members of the superhero team the Invaders, which after the war evolved into the All-Winners Squad.

In the closing days of World War II in 1945, Captain America and Bucky tried to stop the villainous Baron Zemo from destroying an experimental drone plane. Zemo launched the plane with an armed explosive device on it, with Rogers and Barnes in hot pursuit. They reached the plane just before it took off, but when Bucky tried to defuse the bomb, it exploded in mid-air. The young man was believed killed, and Rogers was hurled into the freezing waters of either the North Atlantic. Neither his body or Bucky's were found, and both were presumed dead.

Discovery and the Avengers

The Avengers discovered Rogers' body in the North Atlantic, his costume under his soldier's uniform and still carrying his shield. Rogers had been preserved in a block of ice since 1945, which melted after the block was thrown back into the ocean by an enraged Sub-Mariner. When Rogers revived, he related his last, failed mission in the closing days of the war. Rogers accepted membership in the Avengers, and although he soon adjusted to modern times well enough to eventually assume leadership of the team, he was plagued by guilt for not being able to prevent Bucky's death. He also undertook missions for the national security agency S.H.I.E.L.D., which was commanded by his old war comrade Nick Fury. Rogers established a residence in the Red Hook neighborhood of Brooklyn, New York and has discovered that Bucky had been held in suspended animation throughout the Cold War performing assassinations as the Winter Soldier.

Civil War

Recent events have been tumultuous for Captain America. As the passage of the the Superhuman Registration Act drew near, Maria Hill (the leader of S.H.I.E.L.D.) propositioned Rogers and th

e Avengers to join S.H.I.E.L.D. in enforcing the act. When he refused, Hill had her trained "Superhuman Response Unit" attack him. During the scuffle Rogers avoided being tranquilized and managed to escape by lodging his shield in an aircraft and forcing the pilot to fly him to safety. Soon after, at the Baxter Building the Watcher told the heroes who had gathered there about

the Captain's escape. Captain America soon became the de facto leader of the Secret Avengers, heroes fighting against the registration act, much to the consternation of his erstwhile friend Iron Man. While the two made sporadic attempts to reconcile

during the Civil War, the clashes between their respective teams became more and more heated, ultimately leading to a pitched

battle in the middle of New York City. At the end of the battle, as Cap was about to deliver a finishing blow to Iron Man, he was tackled by several emergency workers. Realizing the damage the war was doing to the city and its civilian population, Captain America unmasked and surrendered as Steve Rogers.

Wednesday, January 09, 2008

The Flash


The Flash is one of DC comics most endearing heroes for this simple reason; even though he has been given a tremendous gift of super-speed, he is still only human. Superman always could do the incredible tasks of saving the world and managing to rescue Lois Lane from the bad guys... The Flash is always trying to beat the clock. Batman makes detective work look easy, The Flash spends the majority of his day painstakingly analyzing evidence in a lab. Imagine one of the crew of CSI spending the whole day collecting evidence and then trying to stop villains in whatever time he had left of his day: all of this while working in a police station that is hunting down his alter-ego! For those who were not comic book fans, this series is still worth a look. It was ahead of it's time in many ways: X-men, Spiderman, and the upcoming Batman Begins all focus in on the people behind the masks and the costumes to reveal the true character of the Hero.

The Flash’s Powers

The key ability all Flashes share is speed: running fast, thinking fast, kicking and punching fast. They can create whirlwinds with their arms or drill through the ground. They can move back and forth so quickly they become invisible. They can run up the side of a building faster than the pull of gravity, or across water before their feet have time to break the surface. Some have complete control over their molecules, and can vibrate through solid objects. Today’s Flash, Wally West, can also lend speed to moving objects or steal it from them, slowing them to a stop. Unlike the others, he hasn’t mastered the art of vibrating through objects: they tend to explode as he passes through them!

[The Cosmic Treadmill]The second Flash, Barry Allen, learned how to travel through time using his control over his molecular vibrations. On his own it was hit-and-miss, so he built the “cosmic treadmill” to help pinpoint destinations. By running on the treadmill, any Flash can set up the right vibrations to travel through time. Wally West is the only Flash (so far) to master time travel without the treadmill, though he avoids it whenever possible.

The Flash Legacy

Four heroes have called themselves the Flash over the years.* The first, Jay Garrick, fought crime in Keystone City during the 1940s. The second, Barry Allen, protected Central City 10–20 years ago and died during Crisis on Infinite Earths. The third Flash, Wally West, started his solo career in New York City before moving to Keystone. He and his family vanished during Infinite Crisis, and Bart Allen took over until his tragic death. Wally was brought back just moments after Bart was killed.

*There’s actually a lot more, if you bring in future and alternate universe stories.

[Jay Garrick, the original Flash]Flash I

Jay Garrick is a scientist. In his college years, a lab accident left him exposed to “heavy water” fumes overnight, and he woke up with super-speed. He fought crime in Keystone City, often with the help of his girlfriend Joan, and was a charter member of the Justice Society of America (JSA). He retired in the early 1950s and married Joan, but would come out of retirement when the need arose. Kept (relatively) young by his powers, he now works with the modern Justice Society.

Current Series: Justice Society of America.

[Barry Allen, the second Flash]Flash II

Barry Allen was a police scientist in Central City, across the river from Keystone. Working late one night, he was struck by lightning and splashed with chemicals, giving him super-speed. As the Flash, he was a contemporary of Superman and Batman, and a founding member of the Justice League of America (JLA). A year or two into his career, Barry married reporter Iris West. Iris was eventually believed killed by Professor Zoom, but she survived in the 30th Century. The Flash later killed Zoom accidentally, leading to a lengthy murder trial and Barry being reunited with his wife in the distant future. Just a month later, Barry died in the Crisis on Infinite Earths, sacrificing his life to save the universe. Iris has since returned to the present.

Current Series: None.

[Wally West, first Kid Flash and now the current Flash]Flash III

Wally West grew up in a small Nebraska town, and was a huge fan of the Flash. One day, visiting his aunt Iris, he got a chance to meet his idol. In a freak accident, Barry’s origin repeated itself, and Wally became his teen-aged sidekick, Kid Flash. Wally joined with other sidekicks to form the original Teen Titans, and has been a hero his entire adult life. After Barry’s death, he took on the role of the Flash, first in New York, then in Keystone City. After running through a series of girlfriends, he finally married reporter Linda Park. Wally worked as a mechanic for the Keystone City Police Department until he, Linda, and their infant twins disappeared in Infinite Crisis.

They reappeared over a year later. Their children, Iris and Jai, had developed powers of their own, which accelerated their growth to the physical ages of 10 and 8.

Current Series: Flash, Justice League of America.

[Bart Allen, first Impulse, then Kid Flash, now Flash]Flash IV

Bart Allen, Barry’s grandson, was born in the 30th Century with a hyper-accelerated metabolism. He grew up in a virtual reality adjusted to match his sense of time, giving him no sense of danger. His grandmother eventually brought him to our present in hopes that Wally would know how to cure him, and his system was shocked to a normal growth rate in early adolescence. At first he took on the name Impulse, and lived with Max Mercury as his guardian and mentor, but since Max’s disappearance, he has lived with Jay and Joan Garrick. A founding member of Young Justice, Bart went on to join the Teen Titans and changed his name to Kid Flash. He spent several years in an alternate dimension during Infinite Crisis and returned as a young adult.

Bart had a brief career as the fourth Flash, during which he moved to Los Angeles. Tragically, he was killed by the Rogues just moments before Wally West returned.

Others to carry the mantle of the Flash

Jesse Chambers

Main article: Jesse Chambers

Daughter of the speedster Johnny Quick, Jesse Chambers became a speeding superhero like her father. She later met Wally West, the Flash, who would ask her to be his replacement if something were to happen to him, (as part of an elaborate plan on his part, trying to force Bart Allen to take his role in the legacy of the Flash more seriously). She briefly assumes the mantle of the Flash, after Wally enters the Speed Force. [5]

Unnamed Allen of the 23rd Century

The father of Sela Allen, his wife and daughter were captured by Cobalt Blue. He was forced to watch his wife die and his daughter become crippled. As he and Max Mercury killed Cobalt Blue, a child took the gem and killed Allen. This Flash was one of the two destined Flashes to be killed by Cobalt Blue (Eobard Thawne).

Sela Allen

Sela Allen as the Flash of the 23rd century.
Sela Allen as the Flash of the 23rd century.

Sela Allen is an ordinary human in the 23rd century until Cobalt Blue steals electrical impulses away from her, causing her to become as slow to the world as the world is to The Flash. Hoping to restore her, her father takes her into the Speed Force. When her father is killed, she appears as a living manifestation of The Flash, able to lend speed to various people and objects but unable to physically interact with the world.

John Fox

John Fox as the Flash.
John Fox as the Flash.

When Manfred Mota resurfaced in 27th century, John Fox, a tachyon scientist, traveled back in time to gain aid from the three Flashes who had defeated Manfred before. He failed to make contact but the time travel left him with superspeed. He used a combination of various previous Flash costumes to create his own costume. After defeating Mota he was sidelined by the invention of speed metal. He began searching the timestream for a time where he could belong, briefly replacing a time-displaced Wally West in the 20th century before finally settled in the year 85,265 where he joined the Justice Legion. In issue #2 of the 2007 Booster Gold series, there is a panel depicting Dr. Thirteen's group breaking the fourth wall by complaining about the Architects' only using popular "fellows" in new comics, John Fox was mentioned by name.

Blaine Allen

Blaine Allen as the Flash of the 28th century.
Blaine Allen as the Flash of the 28th century.

Blaine and his son lived on the colony world of Petrus in the 28th century. In an attempt to end the Allen blood line, Cobalt Blue injected Allen's son Jace with a virus. Lacking superspeed, Jace was unable to shake off the virus. In despair, Blaine took his son to the Speed Force in the hopes that it would accept him. It took Blaine instead, and gave superspeed to Jace so that he could shake off the disease.

Jace Allen

Jace Allen gained superspeed when his father brought him into the Speed Force to attempt to cure him of a virus injected into his body by Cobalt Blue in an attempt to end the Allen bloodline. In memory of his father, Jace took up the mantle of the Flash and continued the feud against Cobalt Blue.

Kryad

After an alien creature invaded Earth, a history buff named Kryad traveled back in time from the 98th century to acquire a GL power ring. He failed, so he tried to capture The Flash's speed instead. After being beaten by Wally West, he went back further in time and used the chemicals from the clothes Barry Allen was wearing when he gained his powers. Kryad gave his life to defeat the alien creature.


Alternate versions

Tanaka Rei from Legends of the DC Universe: Crisis on Infinite Earths. Art by Paul Ryan and Bob McLeod.
Tanaka Rei from Legends of the DC Universe: Crisis on Infinite Earths. Art by Paul Ryan and Bob McLeod.

In the final issue of 52, a new Multiverse is revealed, originally consisting of 52 identical realities. Among the parallel realities shown is one designated "Earth-2". As a result of Mister Mind "eating" aspects of this reality, it takes on visual aspects similar to the pre-Crisis Earth-2, including the Flash among other Justice Society of America characters. The names of the characters and the team are not mentioned in the panel in which they appear, but the Flash is visually similar to the Jay Garrick Flash.[6] Based on comments by Grant Morrison, this alternate universe is not the pre-Crisis Earth-2.[7]

A variant of the Flash - a superfast college student named Mary Maxwell - was seen in the Elseworld book Just Imagine Stan Lee Creating The Flash.

Tanaka Rei

The Flash of Earth-D, Rei was a Japanese man who idolized Barry Allen, whose stories only existed in comic books. Rei was inspired by Allen to become the Flash, much like Allen was inspired to become the Flash by his idol, Jay Garrick. Allen and Rei met during the Crisis on Infinite Earths when Barry was coming back from the 30th century and arrived in the wrong universe. As that earth was under attack by the shadow demons, Barry called on the Justice League and Tanaka called on the Justice Alliance, his world's version of the Justice League. They built a cosmic treadmill and made an evacuation. The Justice League left, but 39 seconds later, Earth-D perished.

Rei made his only appearance in Legends of the DC Universe: Crisis on Infinite Earths.






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