Showing posts with label asian. Show all posts
Showing posts with label asian. Show all posts

Friday, November 27, 2009

Darna


Darna's first adventure (as Darna) was first serialized in the pages of Pilipino Komiks #77, where she was pitted against the sultry snake goddess Valentina. Here, Narda, a young girl, swallows the stone, which has the word Darna on it, and transforms into Darna by shouting out the latter name. Likewise, Darna turns back into Narda by shouting her name. The stone, from the planet Marte, stays in her body, and her secret is known to her grandmother, and her brother Ding, who becomes her sidekick. The superheroine quickly gained popularity among Filipino comic book readers

Starting in 1951, several Darna movies were made. Some made from 1973 onwards starred the future multi-awarded dramatic actress and politician Vilma Santos. In these 1970s films, Darna's origin was changed; no longer a little girl, Narda was now in her late teens. Also, she herself becomes Darna, unlike the original where she just "channels" her (not unlike Jason Blood and Etrigan). Only Ding knows her secret in this version. Also, the stone comes out of Narda's mouth every time she changes back; she has to swallow it every time she wants to transform (This became standard for following versions). Darna is not specified as coming from Marte, just as a "warrior of Light". This version of Darna became most people's idea of the character for about 3 decades. A catchphrase popularized by the movies and said by Narda runs, "Ding, ang bato!" ("Ding, [give me] the stone!")

Black Mask


This quasi-cyberpunk neo-future actioner is about a cybernetically enhanced assassin group called 701. Jet Li is Tsui, former captain of the squad, who escaped to discover human feeling. On the outside he befriends ditsy librarian Tracey (Karen Mok) and Inspector Shek (Lau Ching-Wan), both of whom marvel at his emotional detachment. Then the crooked and still-operational 701 shows up with a giant info-stealing scheme and Tsui dons a black mask to oppose them.
Yuen Woo-Ping’s action is fine, and the film is shot cooler-than-cool, with tons of blues and lots of style to spare. Tsui Hark produced this excellent HK flick that suffers only because it has Jet Li syndrome: a complete lack of personality or emotion. That’s what turns all of Jet’s films into the same sort of experience; Black Mask is no exception. That said, this film still has plenty more to recommend it, including the cool cinematography and good turns by Karen Mok, Lau Ching-Wan, and Francoise Yip as Jet’s pupil turned enemy. A true Hong Kong experience all the way, and the best Jet Li flick since My Father is a Hero.

The Heroic Trio


Someone is kidnapping all the male babies in the city and the police have no clues. It turns out that a Dark Master of the Underworld lives in the sewers and is taking them. He needs them because they were all born as potential Emperors, and he needs the future Emperor if he plans to take over China. The police eventually enlist the help of superheroes Wonder Woman (Anita Mui) and Thief Catcher (Maggie Cheung) to stop the evil fiend.
Against the two heroes is Invisible Girl (Michelle Yeoh), who's working for the Master and is assigned to watch over a young scientist (James Pax). The scientist is trying to create an invisible robe and Invisible Girl is supposed to kill him when he's finished. It turns out that the three women have a previous connection. Thief Catcher and Invisible Woman knew each other when Thief Catcher lived in the underworld but ran away ten years earlier. Wonder Woman and Invisible Girl knew each other as children but were separated when Invisible Girl left to live in the underworld. It turns out that Invisible Girl is not as bad as she seems. She's actually a good soul who's simply taken the wrong path. To redeem herself, she decides to help out the scientist and joins with her fellow superheroes to defeat the Dark Master.
The supernatural fight sequences choreographed by Ching Siu Tung (A Chinese Ghost Story) are dark, violent and bursting with creative energy. Of particular note is the train station scene, which features the most creative decapitation weapon ever to be wielded by a demon (played via grunts and growls by Anthony Wong). The production design is also worthy of note, as the city is not necessarily Hong Kong, but more of fictional Gotham City-type place. The score is catchy and boasts a theme song by Anita Mui. However, the largest reason this film works is because of the three female leads. Each is given a chance to shine both in the action scenes as well as the dramatic ones. It's clear why the three are considered three of Hong Kong's top female stars.
The artificial trappings tend to make the film feel set-bound and it's clear that there was a limited budget involved, but none of that takes away from the overall entertainment value of The Heroic Trio. There is also a sequel to the film titled The Executioners. (Magicvoice 2002)

Sunday, September 20, 2009

Sailor Moon


Sailor Moon officially translated as Pretty Soldier Sailor Moon) is the title of a Japanese media franchise created by Naoko Takeuchi. Fred Patten credits Takeuchi with popularizing the concept of a sentai (team) of magical girls,[1][2] and Paul Gravett credits the series with "revitalizing" the magical girl genre itself.[3]

The story of the various metaseries revolves around the reincarnated defenders of a kingdom that once spanned the solar system, and around the evil forces that they battle. The major characters—called Sailor Senshi (literally "Sailor Soldiers"; frequently called "Sailor Scouts" in many Western versions)—are teenage girls who can transform into heroines named for the moon and planets (Sailor Moon, Sailor Mercury, Sailor Mars, etc). The use of "Sailor" comes from a style of girls' school uniform popular in Japan, the sērā fuku (sailor outfit), after which the Senshi's uniforms are modeled. The elements of fantasy in the series are heavily symbolic and often based on mythology.

Before the Sailor Moon manga appeared Takeuchi had written Codename: Sailor V, which centered around just one Sailor Senshi. She devised the idea when she wanted to create a cute series about girls in outer space, and her editor asked her to put them in sailor fuku.[4] When Sailor V was proposed for adaptation into an anime, the concept was modified so that Sailor V herself became only one member of a team. The resulting manga series merged elements of the popular magical girl and sentai genres of which Takeuchi was a fan,[5] making Sailor Moon one of the first series ever to combine the two.

The manga resulted in spinoffs into other types of media, including a highly popular anime, as well as musical theatre productions, video games, and a live-action (tokusatsu) series. Although most concepts in the many versions overlap, often notable differences occur, and thus continuity between the different formats is limited.

Characters
See also: List of minor Sailor Moon characters

Usagi Tsukino/Sailor Moon (月野 うさぎ, Tsukino Usagi?)
The main character of the series, called Serena in the English anime and Bunny in the English manga. Usagi, a carefree schoolgirl with an enormous capacity for love, transforms into the heroine called Sailor Moon. At the beginning of the series she is portrayed as an immature crybaby who hates having to fight evil and wants nothing more than to be a normal girl.[6][7] As she progresses, however, she embraces the chance to use her power to protect those she cares about.[8]

Mamoru Chiba/Tuxedo Mask (地場 衛, Chiba Mamoru?)
A student somewhat older than Usagi, called Darien in the English adaptations of the series. As a young child he experienced a terrible car accident that robbed him of his parents and of his knowledge of who he is.[9] During the series he has some precognitive ability,[10][11] including dreams that inspire him to take on the guise of Tuxedo Mask and fight alongside the Sailor Senshi. After an initially confrontational relationship,[7] he and Usagi remember their past lives together and fall in love again.

Ami Mizuno/Sailor Mercury (水野 亜美, Mizuno Ami?)
A quiet bookworm in Usagi's class, called Amy in the English adaptations of the series. Highly intelligent, with a rumored IQ of 300,[12] she can transform into Sailor Mercury, acquiring power over all phases of water. Ami's shy exterior masks a passion for knowledge and for taking care of the people around her.[13] She hopes to become a doctor one day, like her mother, and tends to be the practical one in the group. Secretly, she is also a fan of pop culture and romance novels, and becomes embarrassed whenever this is pointed out.

Rei Hino/Sailor Mars (火野 レイ, Hino Rei?)
An elegant miko (shrine maiden), called Raye in the English versions. Because of her work as a Shinto priestess, Rei can sense and dispel evil even in civilian form.[14] When she transforms into Sailor Mars she can also manipulate fire. She is very serious and focused, but although easily annoyed by Usagi's flightiness, cares about her very much. Rei is portrayed as boy-crazy in the early anime,[14] but is uninterested in romance in both the manga and live-action series.[15] She attends a private Catholic school, separate from the other girls.

Makoto Kino/Sailor Jupiter (木野 まこと, Kino Makoto?)
A tomboy who transfers into Usagi's school, called Lita in the English versions. Very tall and strong for a Japanese schoolgirl,[16] she can transform into Sailor Jupiter, attacking with lightning and with some control over plants. Both Makoto's parents died in a plane crash years ago, so she lives alone and takes care of herself. She cultivates her physical strength as well as more domestic interests, including housekeeping, cooking, and gardening. She wants to marry young and to own a flower-and-cake shop.[17]

Minako Aino/Sailor Venus (愛野 美奈子, Aino Minako?)
A perky dreamer who acted on her own as Sailor V for some time.[18][19] Called Mina in the English versions, she has a companion cat called Artemis who works alongside Luna in guiding the Sailor Senshi. Minako transforms into Sailor Venus, Soldier of Love, and leads Sailor Moon's four inner guardians. She also dreams of becoming a famous singer and idol and attends auditions whenever she can.[20] At the start of the live-action series, she is already these things, but has poor health and separates herself from the other Senshi.[21]

Chibi-usa/Sailor Chibi Moon (ちびうさ?)
The future daughter of Usagi and Mamoru, Chibi-usa travels from the 30th century to seek help to save her parents, then later to train with Sailor Moon to become a soldier.[22] She learns to transform into Sailor Chibi Moon. At times she has an adversarial relationship with her mother in the 20th century,[23] as she considers herself more mature than Usagi, but as the series progresses they develop a deep bond. Chibi-usa wants to grow up to become a lady like her mother.[24] In the English adaptations, she is called Rini, and her alter ego is called Sailor Mini Moon.

Setsuna Meioh/Sailor Pluto (冥王 せつな, Meiō Setsuna?)
A mysterious woman, called Trista in the English anime. She appears first as Sailor Pluto, the Guardian of Time, who has the task of protecting the Space-Time Door from unauthorized travelers. It is only later that she appears on Earth, living as a college student. She has a distant personality and can be very stern, but can also be quite friendly and helps the younger Sailor Senshi when she can.[25] After so long at the gate of time she carries a deep sense of loneliness, although she is close friends with Chibiusa.

Michiru Kaioh/Sailor Neptune (海王 みちる, Kaiō Michiru?)
A talented violinist with some precognition, called Michelle in the English anime. A year older than most of the other Sailor Senshi, she can transform into Sailor Neptune, channeling the power of the ocean. She worked alone for some time before finding her partner, Sailor Uranus, with whom she fell in love.[26] Michiru is elegant and personable, already well-known for her music as well as her painting, but has given up her own dreams for the life of a Senshi. She is fully devoted to this duty and willing to make any sacrifice for it.

Haruka Tenoh/Sailor Uranus (天王 はるか, Ten'ō Haruka?)
A good-natured, masculine-acting girl, called Amara in the English anime. Haruka, of an age with her partner, Michiru, transforms into Sailor Uranus, Soldier of the Sky. Before becoming a Sailor Senshi, she dreamt of being a racer, and is skilled at driving.[27] She tends to dress and, in the anime, speak like a man. She is so friendly and genial that nearly everyone she meets is attracted to her. When it comes to fighting the enemy, however, she distrusts outside help and prefers to work solely with Sailor Neptune and, later, Pluto and Saturn.

Hotaru Tomoe/Sailor Saturn (土萠 ほたる, Tomoe Hotaru?)
A sweet, lonely young girl whose name remains unchanged in English (though pronounced slightly differently). Daughter of a possessed mad scientist, a terrible lab accident in her youth significantly compromised her constitution. After overcoming the darkness that has surrounded her family, she is able to become the Soldier of Silence, Sailor Saturn.[22] She wields forces of destruction so powerful that she is rarely called upon to use them, and unlike the others, her Senshi and civilian personae seem somewhat disconnected. She is often pensive, and as a human has the inexplicable power to heal others.

Fei Ying


Silver Hawk is based on a series of stories about a masked heroine, Huang Ying (Wong Ngang), that was originally published in Shanghai during the late 1940s and early 1950s. A number of movies and TV shows on this subject were made in Hong Kong during the 60s and 70s and some famous actresses, including Connie Chan Po Chu, Angie Chiu Nga Chi (a.k.a. Gigi Chi(u)) and Petrina Fung Bo Bo, have portrayed the heroine. However, the story of Michelle Yeoh's Silver Hawk is newly written and set in a future time (around year 2008).

The movie starts with Silver Hawk riding on her motorcycle through what looks like China. She is chasing thugs who have stolen pandas and are getting away in a truck. She attaches her bike to the truck jumps and fights the men kicking them out of the truck and then continues to fight them. Then they give up. She heads back to Polaris City where she meets an old childhood friend then a flashback occurs. In this flashback it was the time at the martial arts training academy back when they were little.

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