Thursday, January 10, 2008

Aquaman

Golden Age

Aquaman's first origin story was presented in flashback from his debut, narrated by the character himself:

The story must start with my father, a famous undersea explorer — if I spoke his name, you would recognize it. My mother died when I was a baby, and he turned to his work of solving the ocean's secrets. His greatest discovery was an ancient city, in the depths where no other diver had ever penetrated. My father believed it was the lost kingdom of Atlantis. He made himself a water-tight home in one of the palaces and lived there, studying the records and devices of the race's marvelous wisdom. From the books and records, he learned ways of teaching me to live under the ocean, drawing oxygen from the water and using all the power of the sea to make me wonderfully strong and swift. By training and a hundred scientific secrets, I became what you see — a human being who lives and thrives under the water.
The Golden Age Aquaman communicating with sea life by an ancient Atlantean temple he uses as his lair. Art by Louis Cazeneuve.
The Golden Age Aquaman communicating with sea life by an ancient Atlantean temple he uses as his lair. Art by Louis Cazeneuve.

In his early Golden Age appearances, Aquaman had the ability to breathe underwater and superhuman strength enabling him to swim at high speeds. He was also shown to have the ability to communicate with sea-life and have them do his bidding. Initially, he was depicted as speaking to sea creatures "in their own language," and only when they were close enough to hear him rather than being telepathic in nature. While he was often described as the "sovereign of the sea," with the waters of the entire globe his "domain," and almost every sea creature his "loyal subject," the title was never an official one. Aquaman's adventures took place all across the world, and the only base he appeared to have was "an ancient temple of lost Atlantis, kept underwater," in which he kept a solitary throne[1]

During his wartime adventures, most of Aquaman's foes were Nazi U-boat commanders and various Axis villains. The rest of his adventures in the 1940s and 1950s had him dealing with various sea-based criminals, including modern-day pirates such as his longtime archenemy Black Jack, as well as various threats to aquatic life, shipping lanes, and sailors.

Silver Age

Starting in 1959, Aquaman's backstory and character were revised, with various new supporting characters added and several adjustments made to the character's origins, powers, and persona.

Aquaman, Mera, and Aqualad, as depicted by Nick Cardy in Aquaman #18 (Dec. 1964)
Aquaman, Mera, and Aqualad, as depicted by Nick Cardy in Aquaman #18 (Dec. 1964)

In Adventure Comics #260 (May 1959) and subsequent Silver Age comics, it was revealed that Aquaman was Arthur Curry, the son of Tom Curry, a lighthouse keeper, and Atlanna, a water-breathing outcast from the lost, underwater city of Atlantis. Due to his heritage, Aquaman discovered as a youth that he possessed various superhuman abilities, including the powers of surviving underwater, communication with sea life, and tremendous swimming prowess. Eventually, Arthur decided to use his talents to become the defender of the Earth's oceans, first starting a career as "Aquaboy" and meeting Superboy (Earth's only other superpowered hero at the time) on one occasion (Superboy #171, Jan 1971). When Arthur grew up, he called himself "Aquaman."

It was later revealed (in Aquaman #29) that after Atlanna's death, Tom Curry met and married an ordinary human woman and had a son named Orm Curry, Aquaman's half-brother. Orm grew up as a troubled youth in the shadow of his brother, who constantly bailed him out of trouble with the law. He grew to hate Aquaman not only for the powers that he could never possess but also because he knew that their father would always favor Aquaman. Orm disappeared after becoming an amnesiac and would resurface years later as Aquaman's arch-nemesis, Ocean Master.

By the late 1950s, Aquaman's ability to talk with fish had been expanded to full-fledged telepathic communication with sea creatures even from great distances, but in Adventure Comics #256 (Jan 1959) he was also retroactively given a specific weakness akin to Superman's vulnerability to Kryptonite or Green Lantern's vulnerability to the color yellow: Aquaman had to come into contact with water at least once per hour, or he would die (prior to this story Aquaman could exist both in and out of water indefinitely). This problem was later explained as a characteristic of all Atlanteans .

Allies and foes

Aquaman was included in the Justice League of America comic book series, appearing with the team in their very first adventure in The Brave and the Bold #28 (Feb-Mar 1960). He was a founding member of the team, as shown in a flashback in Justice League of America #9 (Feb 1962). Aquaman took part in most of the 1960s adventures of the superhero team.

With Adventure Comics #269 (Feb 1960), Aquaman's familiar cast of allies and enemies began to grow with the addition of Aqualad, an outcast, orphaned youth from a colony of Atlantis whom Aquaman takes in and begins to mentor. Adventure Comics #264 (Sep 1959) introduced the submerged fictional city of New Venice, which was later revealed to be based in Florida and which also became Aquaman's base of operations for a time in the early 1980s, beginning with World's Finest Comics #263 (Jun-Jul 1980).

Aquaman continued to appear in Adventure Comics until issue #284 (May 1961), when the feature moved to Detective Comics from issues #293-300 (Jul 1961-Feb 1962), then to World's Finest Comics from issues #125-139 (May 1962-Feb 1964). After four tryout issues in bi-monthly Showcase (#30-33, Feb-Aug 1961), Aquaman gained his own series for the first time with the publication of Aquaman #1 (Jan-Feb 1962).

Aquaman eventually met the Atlanteans and became their ally. He was recognized as the son of Atlanna and later voted to be the King after the death of the former regent, who had no heirs. By this time Aquaman had met Mera, a queen from a water-based dimension, and he married her at the same time he was crowned king of Atlantis, Aquaman #18 (Nov-Dec 1964). They soon had a son, Arthur, Jr. (nicknamed "Aquababy") in issue #23 (Sep-Oct 1965).

The 1960s series introduced other such arch-enemies as the Ocean Master (Aquaman's amnesiac half-brother Orm), Black Manta, the Fisherman, the Scavenger, and the terrorist organization known as O.G.R.E. Other recurring members of the Aquaman cast introduced in this series include the well-meaning but annoying Quisp (a water sprite); Dr. Vulko, a trustworthy Atlantean scientist who becomes Aquaman's royal advisor and whom Aquaman eventually appoints to be king after leaving the throne himself; and Tula (known as "Aquagirl"), an Atlantean princess who was Aqualad's primary love interest.

Aquaman in Adventure Comics. Art by Jim Aparo.
Aquaman in Adventure Comics. Art by Jim Aparo.

Most of Aquaman's early Silver Age adventures were written by George Kashdan[2] and Bob Haney, while Nick Cardy took Ramona Fradon's place as the primary Aquaman artist. With Aquaman #40, the writer-artist team of Steve Skeates and Jim Aparo brought new levels of sophistication to the characters and stories.

The original Aquaman series ended with issue #56 (Mar-Apr 1971). Aquaman was given his own feature again in Adventure Comics #435-437, and #441-452, this time as the main feature in most of these issues. The Aquaman series was restarted with issue #57 (Aug-Sep 1977) and ran until issue #63 (Aug-Sep 1978), when it was finally canceled. Aquaman continued to appear in Adventure Comics #460-466, when his feature moved to World's Finest Comics from issues #262-264, and back to Adventure Comics (for the final time) from issues #475-478. Aquaman appeared in a backup feature in Action Comics which he shared with the Atom and Air Wave in various issues. Throughout this time Aquaman also appeared in various series (such as Justice League of America, The Brave and the Bold, World's Finest Comics, and DC Comics Presents) in partnership with other superheroes.

After becoming king of Atlantis, Aquaman began a policy of slowly reintroducing the once-secretive Atlantis to the surface world. After he was briefly ousted from the throne by the Shark (whom he defeated), he made the decision to leave the throne to become a more traditional superhero, and Dr. Vulko was elected as the new king.

End of an era

Eventually, as part of a trap, Aquaman's foe Black Manta kidnapped and ultimately murdered Arthur, Jr. (Adventure Comics #452, Jul-Aug 1977), causing a rift between Aquaman and Mera. They remained married for a few more years and for a while operated out of the submerged city of New Venice, Florida.

In the mid-1980s, after his own feature's demise, Aquaman was briefly made the leader of the Justice League of America. In a storyline told in Justice League of America #228-230, an invasion of Earth by a race of Martians occurred at a time when the core members were missing. Aquaman was thus forced to defend Earth with a League much-depleted in power and capability, and he took it upon himself to disband the JLA altogether in Justice League of America Annual #2 (1984), thereafter reforming it with new bylaws requiring members to give full participation to the League's cases. With the help of a small number of veteran JLA members willing to fully commit to the team, Aquaman recruited and trained four new and untried members, also relocating the team's headquarters to a reinforced bunker in Detroit, Michigan after the destruction of the JLA's satellite headquarters during the invasion. Aquaman's participation in this new version of the Justice League ended in #243 (Oct 1985), when he resigned to work on his marriage with Mera.

Modern Age

The deep-blue camouflage costume. Art by Craig Hamilton.
The deep-blue camouflage costume. Art by Craig Hamilton.

After the 1985 Crisis on Infinite Earths limited series, several short limited series were produced in the late 1980s and early 1990s -- beginning with 1986's, four-issue Aquaman (Feb 1986-May 1986), featuring Aquaman in a new, largely deep-sea blue, costume. The series was well received and a follow up mini series was in the works, though it was eventually canceled due to creative problems. This series also shed some light on the Silver Age version of Aquaman's origin as well as Aquaman's relationship with his half-brother, Ocean Master, whose origin is retold in more complete detail. The series also added new mystical elements to the Aquaman mythos and reinvented Ocean Master as a sorcerer. Aquaman reappeared in his blue costume in the Aquaman Special #1 (1988).

Retelling origins

In 1989, Legend of Aquaman Special (officially titled as Aquaman Special #1 in the comic's legal indicia, the second Special in back-to-back years) rewrote the Sea King's mythos and origin, though keeping most of his Silver Age history intact.

The Modern Age Aquaman is born as Orin to Queen Atlanna and the mysterious wizard Atlan in the Atlantean city of Poseidonis, was abandoned on Mercy Reef as a baby because of his blond hair, which was seen by the superstitious Atlanteans as a sign of a curse they called "the Mark of Kordax." The only individual who spoke up on Orin's behalf was Vulko, a scientist who had no patience for myth or superstition. While his pleas were to no avail, Vulko would later become a close friend and advisor to the young Orin.

As a feral child who raised himself in the wilds of the ocean with only sea creatures to keep him company, Orin was found and taken in by a lighthouse keeper named Arthur Curry who named Orin "Arthur Curry" after himself. One day Orin returned home and found that his adoptive father had disappeared, so he set off on his own. In his early teens, Orin ventured to the far north, where he met and fell in love with an Inupiat girl named Kako. He also first earned the hatred of Orm, the future Ocean Master who was later revealed to be Arthur's half-brother by Atlan and an Inupiat woman. Orin was driven away before he could learn that Kako had become pregnant with his son, Koryak.

Orin then returned to the seas mostly staying out of humanity's sight, until he discovered Poseidonis. He was captured by the city's then-dictatorial government and placed in a prison camp, where he met Vulko, also a prisoner of the state, who taught Orin the language and ways of the Atlanteans. While Orin was there he realized that his mother was also being held captive, but after her death he broke out and fled. Eventually, he made his way to the surface world, where under the name of "Aquaman" he became one of several superheroes emerging into the public view at the time. Upon his return to Poseidonis he was made the king, and sometime later he met and married Mera. The Modern Age Aquaman's history is nearly identical to that of the Silver Age Aquaman from this point on.

As detailed in the five-issue Aquaman limited series (Jun-Oct 1989), which continued a few of the themes from the Special, Mera was eventually driven insane by grief over the death of Arthur, Jr., and was committed to an asylum in Poseidonis. Shortly afterwards, an alien force conquered Atlantis. Arthur was forced to save the city but was hampered by an escaped Mera who personally blamed Arthur for the death of their son. In a fit of rage, Mera left Aquaman's dimension.

The publication of writer Peter David's The Atlantis Chronicles #1-7 (Mar-Sep 1990), which told the story of Atlantis from antediluvian times to Aquaman's birth, successfully revived interest in the character. Significantly, it was in this limited series that the ancient Atlantean characters Orin (whose name was given as Aquaman's Atlantean name) and Atlan (who was revealed to be Aquaman's father) were introduced.

A new Aquaman ongoing series (#1-13) thereafter ran from December 1991 to December 1992, which portrayed Aquaman reluctantly deciding to remain in Poseidonis as its protector once again. For a time, he served as Atlantis' representative to the United Nations but always found himself thrust back into the superhero role. Becoming more and more of a workaholic and solitary figure, Aquaman eventually returned to the oceans. He soon became tangled up in another attempt by Black Manta to destroy Atlantis by dragging it into a war with a surface nation.

Peter David returned to the character in another limited series, Aquaman: Time and Tide, a 1993/1994 four-issue series which further explained Aquaman's origins as he finally learned all about the history of his people through the Atlantis Chronicles (presented as historical texts passed down and updated through the centuries). Aquaman learned that his birth name was Orin and that he and his enemy Ocean Master shared the same father, "an ancient Atlantean wizard" called Atlan. This revelation sent Orin into a bout of rage and depression, setting the stage for later confrontations between the two, as it was said that "two brothers will also battle for control of Atlantis". (The Silver Age Aquaman had always known that the Ocean Master was his half-brother Orm, although Orm's amnesia prevented him from remembering that fact for some time.)

[edit] New direction

The 1990s version of Aquaman. Art by Jim Calafiore.
The 1990s version of Aquaman. Art by Jim Calafiore.

Aquaman received his own series again with the publication of the fifth Aquaman #1 (Aug 1994), initially scripted by Peter David, following up on his Aquaman: Time and Tide limited series. This new Aquaman series was the longest-running for the character, lasting until its 75th issue. David left the landmark series after issue #46 (Jul 1998) after working on it for nearly four years.

Soon in Aquaman #2 (Sep 1994), Aquaman lost his left hand when the madman Charybdis stole his ability to communicate with sea life and stuck Arthur's hand into a piranha-infested pool. This caused Aquaman to become somewhat unhinged, and he soon began having prophetic dreams. Soon after, he attached a harpoon spearhead to his left arm in place of his missing hand. This was the start of an entirely new look: the classic orange shirt was discarded for a gladiatorial manica. Forsaking his former clean-cut appearance, Aquaman grew long hair and a longish beard. After the destruction of the harpoon, Aquaman had it replaced with a cybernetic prosthetic from S.T.A.R. Labs. This new harpoon had a retractable reel that he could fully control.

The major storyline, culminating in #25, concerned the Five Lost Cities of Atlantis. Facing an unearthly invading species linked to the origin of the Atlanteans, Aquaman had to search out and unite the lost cities. This storyline established him as a true Warrior King, and he became a major political power. The remainder of the Peter David run was about Orin coming to terms with his genetic heritage and his role as a king.

After a brief stint by Dan Abnett and Andy Lanning, David was replaced as writer by Erik Larsen with issue #50 (Dec 1998). Larsen's work proved unpopular with readers, however, and with issue #63 (Jan 2000) he was replaced by Dan Jurgens, who saw the series through to its cancellation with issue #75 (Jan 2001).

Aquaman had rejoined the JLA when it reformed and remained an active member of that team until the Our Worlds at War event, during which Aquaman and the city of Poseidonis disappeared and were presumed to be destroyed. The JLA later discovered that Poseidonis and its inhabitants were taken into the ancient past by a powerful Atlantean sorceress named Gamemnae. The people of Poseidonis were made slaves by their Atlantean ancestors, and Aquaman himself was transformed into living water and imprisoned in an ornamental pool.

After a few months of their time — but fully fifteen years for the Atlanteans — the JLA freed Aquaman in "The Obsidian Age" storyline in JLA #66-75 (Jul 2002-Jan 2003), and Poseidonis and its people were returned to the present by the JLA, though not before Aquaman was forced to sink ancient Atlantis.

[edit] Back to basics

2003 series' initial look by Yvel Guichet.
2003 series' initial look by Yvel Guichet.

A sixth Aquaman series began shortly afterwards, initially written by Rick Veitch who sought to take Aquaman in a more mystical direction. Subsequent writers who contributed to the series include John Ostrander, Will Pfeifer, and John Arcudi. This series ran from issue #1 (Feb 2003) to #39 (Apr 2006) when it was renamed Aquaman: Sword of Atlantis (see below).

As shown in this series, Aquaman's decision to sink ancient Atlantis caused displeasure among some of the city's citizens, and Arthur was once again driven out of Poseidonis. He spent some time in Ireland, where he met the Lady of the Lake, who gave him a new prosthetic hand composed of mystical water with unusual properties. From there he returned to his more traditional look: orange shirt, short hair, and beardless.

Back to traditional look. Art by Alan Davis.
Back to traditional look. Art by Alan Davis.

Later, Aquaman went to San Diego after a massive earthquake plunged half the city into the Pacific Ocean. He soon discovered that the survivors of the catastrophe were able to breathe underwater and began helping them to rebuild the submerged portion of the city they now called "Sub Diego".

During this time, Aquaman picked up a new sidekick named Lorena, who eventually became the new Aquagirl. For a time, it appeared that Aquaman might reconcile with Mera, as he attempted to take her to the surface in order to save her from the Atlantean mages who had transformed her into an air-breather.

Shortly thereafter, during the Infinite Crisis event, Atlantis was destroyed by the Spectre, and many of its citizens were killed, including Aquaman's son Koryak and his oldest friend (and father figure), Vulko. Aquaman led the survivors to Sub Diego in the hope that the two displaced peoples could help each other. When Black Manta attacked the sunken city, Aquaman defeated him and left him for dead, surrounded by carnivorous fish (it was later revealed that Manta survived, although it remains unclear whether Aquaman intended his death).

Aquaman made a brief appearance at the memorial for Superboy in 52. With Aquaman #40 (May 2006), the series was renamed Aquaman: Sword of Atlantis and taken in an entirely different direction by writer Kurt Busiek.

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